music review

Seasoned MPB Artist Rogê Conjures Classic Samba

Seasoned MPB Artist Rogê Conjures Classic Samba

For fans of samba and bossa nova, Rogê’s Curyman II is a heartfelt homage to these enduring and quintessentially Brazilian styles of music.

St. Lenox Offers a Fifth Installment of Modern American Songs

St. Lenox Offers a Fifth Installment of Modern American Songs

St. Lenox’s new LP reveals there’s always time for new beginnings while working toward the greater goal of a worthy existence. It’s a sardonic masterpiece.

Genius Meets Genius in Caroline Shaw’s New Soundtrack LP

Genius Meets Genius in Caroline Shaw’s New Soundtrack LP

Caroline Shaw is best known these days for being a modern classical music composer, which is why Ken Burns drafted her for his Leonardo da Vinci documentary.

Alex E. Chávez’s ‘Sonorous Present’ Is a Beautiful Meditation

Alex E. Chávez’s ‘Sonorous Present’ Is a Beautiful Meditation

Due to the unique mix and execution of all the elements present, Alex E. Chávez’s Sonorous Present is richly rewarding and an astonishing sonic experience. 

Max Richter’s ‘In a Landscape’ Connects Nature and Humanity

Max Richter’s ‘In a Landscape’ Connects Nature and Humanity

In a Landscape reconciles nature with humanity through lush soundscapes, and it feels like a revelation for newcomers to composer Max Richter’s oeuvre.

Albert King’s ‘In Session’ Offers a Master Class in Mutual Respect

Albert King’s ‘In Session’ Offers a Master Class in Mutual Respect

In Session documents the night a one-time blues jam between guitarists Albert King and Stevie Ray Vaughan turned into a legendary moment.

Loose Cattle Scare the Herd with ‘Someone’s Monster’

Loose Cattle Scare the Herd with ‘Someone’s Monster’

Country-rockers Loose Cattle’s Someone’s Monster suggests that we may all be somebody else’s demons while the songs imply we might be our own worst enemies.

Strangerfamiliar’s ‘La Pena’ Is a Haunting Ode to Trauma

Strangerfamiliar’s ‘La Pena’ Is a Haunting Ode to Trauma

The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.

Meryl Streek Is Still Angry in ‘Songs for the Deceased’

Meryl Streek Is Still Angry in ‘Songs for the Deceased’

In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.

Tribute LP Shines Light on the Under-appreciated David Olney

Tribute LP Shines Light on the Under-appreciated David Olney

Can’t Steal My Fire: The Songs of David Olney introduces one of America’s great but overlooked songwriters to a broader audience.

Ross Goldstein Signals a Creative Rebirth with ‘Blunders’

Ross Goldstein Signals a Creative Rebirth with ‘Blunders’

Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.

Luke Wyland Creates Deep, Dreamy Soundscapes on ‘Kuma Cove’

Luke Wyland Creates Deep, Dreamy Soundscapes on ‘Kuma Cove’

Luke Wyland’s performances provide the usual Zen moments from this type of ambient minimalism, but there’s a hint of darkness within the notes.