Liza Minnelli Hung Up Her Feather Boa and Sequins for ‘Gently’
Gently is, in Liza Minnelli’s own words, a “make-out” album. The 1996 record reaches for the kind of rueful, ruminative romance found in a smoky bar.
Gently is, in Liza Minnelli’s own words, a “make-out” album. The 1996 record reaches for the kind of rueful, ruminative romance found in a smoky bar.
If you like brash, outspoken theatre people at your dinner parties, you’ll enjoy the Broadway musicals composer Mary Rodgers’ co-authored memoir, Shy.
New York, New York is the kind of album that Liza Minnelli would excel at because it leaned into her old-fashioned tendencies instead of turning away from them.
From touring in the musical Hair to keeping time in The United States vs. Billie Holiday, Ray Shell has done it all during his 50 years on stage and screen.
In a career defined by musical makeovers, Evita represented Madonna’s most extreme and conservative musical guise in the Andrew Lloyd Webber kitschfest.
Judy Garland’s Judy at Carnegie Hall possesses an emotional range and heft that remains potent over half a century after its release.
Wouldn’t you like to read a marvelous story about the creation of the fabled musical, Stephen Sondheim and James Lapine’s ‘Sunday in the Park with George’?
From creating the title role in The Wiz to winning an Emmy for Ain't Misbehavin', André De Shields reflects on his roles in more than four decades of iconic musicals, including the GRAMMY and Tony Award-winning Hadestown.
After blazing trails at the Met and in the Broadway cast of Hair, Melba Moore reflects on her groundbreaking career while celebrating a pair of new gospel and dance releases.
Rufus Wainwright has done Judy Garland, Shakespeare, and opera, so now it's time for Rufus to rediscover Rufus on Unfollow the Rules.
Oren Jacoby's richly illustrated documentary on the ups and downs of modern Broadway, On Broadway, is all celebrations and no questions. Whether that's a problem depends on your level of theater mania.
The beloved composer of the smash-hit 1978 Broadway musical, The Best Little Whorehouse in Texas, was also a singer/songwriter on one of the decade's most prestigious labels. Her 1972 album Beads and Feathers is arguably an overlooked masterpiece. Prior to her October 2018 passing, she spoke with PopMatters about this less celebrated period of her career.