How Fleetwood Mac’s Stevie Nicks Became the New Age “White Witch”
The idea of Stevie Nicks as Fleetwood Mac’s “white witch” is particularly poignant as the second wave of feminism rolled into the ’70s.
mysticism
Of Bodies and Souls: Representing the Historically Marginalized in ‘The Spirit Photographer’
In Jon Michael Varese's latest, exposure and concealment interweave into an intricate tapestry of interconnected motivations and intentions.
‘Picnic at Hanging Rock’ Still Mystifies Half a Century Later
Joan Lindsay plies the narrative with questions of female indignation, the emotional reserves which harbour the most poisonous sentiments liable to destroy any code of sisterhood honour.