Guy Chadwick Ponders the Past, Present, and Future of The House of Love
With a new album, tour, and eight-CD retrospective of his ’90s work, the House of Love’s Guy Chadwick seems remarkably laid back about it all.
With a new album, tour, and eight-CD retrospective of his ’90s work, the House of Love’s Guy Chadwick seems remarkably laid back about it all.
On Artificial Countrysides, Elf Power ground cosmic apocalypse and global destruction into fever dreams from their own backyard.
Classic concert “Blurred Crusade Live” launches the Church to a place few bands ever reach, on stage or anywhere else. It’s a golden moment of transcendent ’80s rock joy.
Beach House are always tinkering around the edges of their sonic universe, getting darker, weirder, subtler, and more expansive. They do that on Once Twice Melody, and the payoff is enormous.
In the 30 years since its release, the Church’s Priest=Aura has gone from a post-“Under the Milky Way” footnote to an acknowledged career pinnacle.
Spiritualized harness their power on Everything Was Beautiful. Filling the album to the brim with instruments, they find new space in old sounds.
One of America’s best rock bands, the War on Drugs aim for the cheap seats on their excellent new album, I Don’t Live Here Anymore.
Suuns’ The Witness is most easily described as gently terrifying. A creature that holds you and whispers sweet nothings in your ear about the end of the world.
It was an uplifting two-night run and a genuine treat to have the String Cheese Incident back in the Bay Area to celebrate the sacred Days Between.
Beck’s Odelay is 25 years old. It remains unique with the mighty combination of Beck and the Dust Brothers resulting in some fascinating music.
The Church’s Of Skins and Heart carved out a unique place in popular music from an unlikely location (and from the most unlikely set of influences).
Django Django invite listeners to a swirling, twirling tour of the music they love on Glowing in the Dark.