Arthur Russell’s Underground Genius
Arthur Russell biography Travels Over Feeling is an elegy for a generation of underground artists that died too soon and a requiem for a vanished New York.
Arthur Russell biography Travels Over Feeling is an elegy for a generation of underground artists that died too soon and a requiem for a vanished New York.
When Talk Talk released It’s My Life in 1984, they shook the new wave establishment with great songs and a new approach, while refusing any genre boxification.
These 1980s music videos have not aged well, bearing a distinctive look instantly tagging them as a product of their time
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
In the post-punk era, progressive rock figurehead Robert Fripp and synth pop pioneer Gary Numan would shape the future sound of alternative rock and metal.
A Certain Ratio find inspiration in their past work and the music that initially inspired them to create art that exists quite nicely in 2024.
Forty-five years after Elvis Costello’s Armed Forces first arrived in record stores, its commentary on fascism is extremely relevant to today’s politics.
Radu Jude’s gonzo satire of post-Soviet Romania, Do Not Expect Too Much from the End of the World, hits a sweet spot between Luis Buñuel and Béla Tarr.
With his 1979 debut album Look Sharp!, Joe Jackson joined the league of UK artists who fused sophisticated pop songwriting with a punk snarl.
When Soda Stereo’s Doble Vida reached the hands of their fervorous fans, it was clear: the boys wanted to make it big – even bigger than they already were.