Sunny War Preaches Raw Realism in ‘Anarchist Gospel’
Sunny War is one of the most promising, exciting voices in American roots music. Anarchist Gospel is a testament to clear-eyed persistence and gritty hope.
Sunny War is one of the most promising, exciting voices in American roots music. Anarchist Gospel is a testament to clear-eyed persistence and gritty hope.
Swamp rock king Tony Joe White chewed and growled his bluesy lyrics more than sung them and played his guitar as if he was chopping down a tree.
North Mississippi Allstars are still creating memorable music but from a decidedly more mellow state of mind, as on Set Sail.
Lilly Hiatt’s Lately offers pandemic inspired poetic reflections on love, desire, and connection in a menagerie of musical styles.
Pokey LaFarge’s mix of esoteric styles takes him all over the planet, from the doo-wop city streets of big cities to the tropical climate of the Caribbean.
Texas singer-songwriter James McMurtry signs with New West and gives us The Horses and the Hounds awash in loud guitars and unparalleled storytelling.
The Wild Feathers’ new single “Another Sunny Day” has a breezy shuffling tempo, beautiful harmony singing, gentle guitars, and wears a great big smile.
Longtime Los Lobos member Steve Berlin talks about relearning the saxophone during the lockdown and the inspiration behind their latest album, Native Sons.
The Wallflowers’ Exit Wounds isn’t radically different from the band’s other albums. Lyrics paint vivid pictures and the melodies are instantly familiar.
As John Hiatt reflects on memory, loss, and desire, the Jerry Douglas Band’s marvelous playing leads to one of the best albums of the year, Leftover Feelings.
The Pink Stones’ debut Introducing the Pink Stones finds strong musicianship battling with awkward lyrics and well-worn country-rock tropes.
Sara Watkins’ first solo LP in five years, Under the Pepper Tree, is a very relaxed covers record featuring lullabies intended for small children.