Defining the Most Beautiful: Women in the Films of Akira Kurosawa, 1940-1970
Akira Kurosawa walked a fine line in his treatment and portrayal of women in his films, and he didn’t always walk it without stumbling.
Akira Kurosawa walked a fine line in his treatment and portrayal of women in his films, and he didn’t always walk it without stumbling.
Kurosawa’s films often act as deliberate examinations of historical periods, exploring difficult realities that existed and the ordeals of the individuals.
Day Two of Akira Kurosawa 101 examines three of his films that address the nature of life in Japan immediately at the end of WWII and the American Occupation.