Brooklyn's Wetware have created a wild collection of industrial noise on Flail that sounds more like an intense fever dream than anything else.
The promised new album emerged in 2007 mashing together an EP's worth of new Throbbing Gristle, four outtakes from the band members' solo work, and two songs hanging around since their reformation in 2004.
The demon stepchild shadowing punk's footsteps in the 1970s, Throbbing Gristle, returned in this new century making the case that they had something new to say with TG Now.
In the latest component of a comprehensive reissue series, three limited-edition releases from the 2004-2007 iteration of Throbbing Gristle are back in print. We begin with Live December 2004: A Souvenir of Camber Sands.
Adventurous multi-instrumentalist Colin Stetson scores the new horror film from director Richard Stanley, Color Out of Space, and it's a noisy, deeply enjoyable headphone trip.
Crowhurst + Gavin Bryars Demonstrate the Powers of Collaboration With “Dead Swans of Dreams” (premiere + interview)
Veteran composer Gavin Bryars and "noise guy" Crowhurst present a new LP recorded in a 17th century hotel and brimming with musical imagination. Says Bryars, "To watch what Jay does was, sometimes, beyond my comprehension and I thought, at times, that Jay may be more intelligent than me. But it didn't last long!"
TOPY and Genesis P-Orridge's knowing adoption of cult iconography and organizing principles quickly slid from satiric emulation to full embrace -- and we all went along with it.
Blanck Mass' Animated Violence Mild drops unrelenting electro-industrial melodies, practicing excess to explore personal grief and the global devastation of consumerism.