opera

Lingua Ignota’s ‘CALIGULA’ Continues Her Powerful Wailings Against Misogyny

Lingua Ignota’s ‘CALIGULA’ Continues Her Powerful Wailings Against Misogyny

Lingua Ignota's second full-length CALIGULA continues her blend of opera, neoclassical darkwave, and death industrial. She transforms shattering lamentations into empowered declarations against misogyny, while also complicating the dominant narratives of women's trauma.

Lewis Pesacov and wild Up: The Edge of Forever

Lewis Pesacov and wild Up: The Edge of Forever

Lewis Pesacov’s music carries a rare and delicate voice in today’s contemporary classical music.
Mastering the Publishing Cadenza: An Interview with Opera News’ F. Paul Driscoll

Mastering the Publishing Cadenza: An Interview with Opera News’ F. Paul Driscoll

Opera News celebrates 80 years of publication this year -- so how do they stay relevant in this day and age? Let Editor-in-Chief F. Paul Driscoll tell you what he's discovered.

20 Questions: Missy Mazzoli

Damon Albarn: Dr. Dee

Anthony Braxton: Trillium E

Pepe Deluxé: Queen of the Wave

‘Opera Adaptations; Vols 1-3’: A Synaesthetic Echo of the Operatic Performance

Anna-Nicole: The Opera – ‘Absurdly Beautiful and Eccentric’

Philip Glass: Kepler

‘Release the Stars’: My Rufus Wainwright Story

‘Release the Stars’: My Rufus Wainwright Story

My mother adored Rufus Wainwright. I met him briefly in Bryant Park, New York City. Turns out Wainwright adored his mother, as made clear in 2007’s ‘Release the Stars’.

‘The Tales of Hoffmann’ Beguiles