parasite

Bong Joon-ho’s ‘Parasite’ and the Geometry of Suffering

Bong Joon-ho’s ‘Parasite’ and the Geometry of Suffering

The problem Bong Joon-ho presents in Parasite is geometrical. Is this the only shape of society we can imagine as workable, as livable? Is this livable?

Parasites: Montesquieu on the End of Civic Virtue in a Republic

Parasites: Montesquieu on the End of Civic Virtue in a Republic

Bong Joon-ho's scathing Parasite reflects Montesquieu's critique that the decline of civic virtue causes great social inequality, which then incurs greed, envy, and violence.

Bong Joon-ho’s ‘Parasite’ Is a Uniquely Intelligent Satire

Bong Joon-ho’s ‘Parasite’ Is a Uniquely Intelligent Satire

South Korean director Bong Joon-ho’s latest film, Parasite, combines the epic class warfare of Snowpiercer with the zany activism of Okja, resulting in a brilliant, many-layered exploration of social stratification and capitalism.