Featured: Top of Home Page/Film/Reviews Painful Humor and Euphoric Pleasure In ‘Punch-Drunk Love’ By Danilo Castro / 3 January 2017 Anderson's quirky film is reinvention in the purest sense, free of commercial pressure.
Featured: Top of Home Page/Features/Film/Technology The Ethics of Death-Defying Media By / 27 April 2015 Furious 7's path to the screen is emblematic of the ways in which film and other media defy (and define) death as images develop lives of their own.
Featured: Top of Home Page/Features/Film We’ve Seen This Movie Before: Trying to Make Sense of Philip Seymour Hoffman By / 7 February 2014 The death of Philip Seymour Hoffman hurts more than the typical "gone too soon" tragedy because we are being robbed of an artist performing at the height of his considerable powers.
Featured: Top of Home Page/Features/Film In Defense of Philip Seymour Hoffman’s Legacy By Colin McGuire / 5 February 2014 Lost far too soon, Philip Seymour Hoffman was the single most affecting reason I ever decided to watch movies in the first place.
Featured: Top of Home Page/Features/Film In Defense of 2012’s Best Movie, ‘The Master’ By Colin McGuire / 18 February 2013
Featured: Top of Home Page/Features/Film Cinema as Rorschach Test: ‘The Master’ By J.C. Sciaccotta / 22 October 2012
Featured: Top of Home Page/Film/Mixed Media “Jack Goes Boating”: Philip Seymour Hoffman’s Directorial Debut (trailer) By Jonathan Simrin / 12 July 2010
Featured: Top of Home Page/Film/PopMatters Picks/Reviews ‘Mary and Max’ Is Better Than ‘Avatar’ and ‘Shrek’ Combined By Adele Melander-Dayton / 13 June 2010
Featured: Top of Home Page/Features/Film Part 5: Toy Story 2 to Titus (November – December 1999) By / 26 March 2009