pier paolo pasolini

Breaching Closure in Pasolini’s ‘Teorema’

Breaching Closure in Pasolini’s ‘Teorema’

Pier Paolo Pasolini's classic drama, Teorema, grapples with the parable -- the manner of knowing that which always remains just beyond our grasp.

Weapons of Poetry and Images: On the Works of Pier Paolo Pasolini

Weapons of Poetry and Images: On the Works of Pier Paolo Pasolini

A thread runs through Pasolini's artistic and political work for which he used various terms to identify the sacred, the mythic, the soul, and the spirit -- all strategies for appreciating life in even the most difficult circumstances.

The 100 Essential Directors Part 7: Kenji Mizoguchi to Satyajit Ray

Off the Radar – The Top 30 DVDs of 2008

Pier Paolo Pasolini’s ‘Salò, or the 120 Days of Sodom’ Makes a Mockery of Things

Pier Paolo Pasolini’s ‘Salò, or the 120 Days of Sodom’ Makes a Mockery of Things

Viewers are acutely aware that Pasolini makes a mockery of things and went too far with Salò, or the 120 Days of Sodom. But too far, morally? Personally and psychologically? Politically? Somehow metaphysically?

Making Waves: New Cinemas of the 1960s by Geoffrey Nowell-Smith

Pier Paolo Pasolini’s Teorema (1968)