A Queer Feminist Storytelling of ‘Jurassic Park’
Hannah McGregor’s book about Jurassic Park is a memoir, a love letter to monstrous femininities and queer kinships, and a pocket guide to reading like a feminist.
Hannah McGregor’s book about Jurassic Park is a memoir, a love letter to monstrous femininities and queer kinships, and a pocket guide to reading like a feminist.
Phoenix Springs‘ streamlined gameplay and inventive point-and-click adventure has the pacing of an art-house psychological drama.
While Kate Bush’s work and life defy clichés and easy categorization, Graeme Thomson chronicles her story while conveying its inherent ambiguity and mystery.
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
Creator of the iconic PBS Masterpiece Mystery! title sequence, Edward Gorey’s artistic sensibility and wicked humor continuously inspires creators across many mediums.
In What Nails It Greil Marcus delivers a philosophical treatise wherein fact and fiction merge into poetic indeterminacy, like a nebulous 1960s garage rock tune.
In the grimly funny collection of conversations in Muzzle for Witches, Dubravka Ugrešić bites the hand that muzzles women.
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
Based on 150 interviews with folk music notables, David Browne’s Talkin’ Greenwich Village lends this saga in music history the epic scope it has long deserved.
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
There is no guilty pleasure in reading Lynn Stegner’s The Half-Life of Guilt. There is only pleasure.
This bio about Moby Grape’s Skip Spence dissects and casts a glowing light on his work as a composer of some of the most influential music of San Francisco’s psychedelic scene.