
‘Warfare’ Tells a Brutally Universal Story Through a Narrow Lens
Ray Mendoza and Alex Garland’s taut and astringent Iraq War film, Warfare, is horrifying but also quite human.
Ray Mendoza and Alex Garland’s taut and astringent Iraq War film, Warfare, is horrifying but also quite human.
Sophie Gilbert’s critique of misogyny in the 1990s and 2000s, Girl on Girl, would be disheartening but for the iconoclastic and subversive feminist artists in pop culture.
Russian director Karen Shakhnazarov’s Soviet-era In the Moscow Slums and Zerograd are surreal, absurdist films rich in Impressionistic color.
In Sayaka Murata’s eagerly awaited novel Vanishing World, our conventional understanding of love and sex has all but disappeared.
The Zombies only had a couple of hit songs, yet Robin Platts’ Times and Seasons shows their almost inhuman staying power to this day.
Sierra Falconer’s anthology film Sunfish (& Other Stories on Green Lake), is quietly impressive, workmanlike storytelling.
Avowed is a charming, old-fashioned fantasy RPG reminiscent of The Elder Scrolls series that teaches players to be mindful of their words.
Sameer Pandya mines the pain of immigrant parents wrestling with America’s existential crises in Our Beautiful Boys .
Arguably 2025’s best RPG video game, Kingdom Come: Deliverance II‘s success stems largely from its humorous meme appeal.
Tanya Pearson’s Pretend We’re Dead is both hopeful and challenging, and proves that the spirit of 1990s women in rock music is still alive and fighting.
Prolific writer Roger Célestin presents in his debut novel, The Delicate Beast a timely tale of how autocracy will devour you once the process has begun.
Hannah McGregor’s book about Jurassic Park is a memoir, a love letter to monstrous femininities and queer kinships, and a pocket guide to reading like a feminist.