‘The Fall of the House of Usher’ Delivers a Fatal Dose of Poe
Flanagan’s The Fall of the House of Usher delivers a fatal potion of Poe-haunted, nightmarish doom that brings us to our knees before the conqueror worm.
Flanagan’s The Fall of the House of Usher delivers a fatal potion of Poe-haunted, nightmarish doom that brings us to our knees before the conqueror worm.
Andrew Scott’s stunning one-man performance in Vanya captures your qualms and hypotheticals and throws them back at you not as a bang but as a whisper.
Martin Scorsese’s Killers of the Flower Moon is another storytelling masterclass and examination of 20th-century American histories of greed and destruction.
Errol Morris’ The Pigeon Tunnel follows a wily, cynical, yet chipper John le Carré down a rabbit hole of Cold War moral ambiguity.
Tom Lucas’ parody Research Randy and the Mystery of Grandma’s Half-Eaten Pie of Despair fuses elements of H.P. Lovecraft’s Cthulhu Mythos into an Edward Stratemeyer world.
Melissa Broder’s quality of being “terminally online” lends Death Valley an air of immediacy that grounds its surreal, dazzling moments in poignant emotional realism.
Corporate villainy! Creative tyranny! Dangerous foes and tough allies! MCU: The Reign of Marvel Studios blasts the superhero movie universe with the studio’s massive, messy history.
With graphic novel Summer of Hamn, rap legend and now visual artist Chuck D has produced his second, strong, COVID-era work of art and social commentary.
In The Jewish Son, Daniel Guebel invokes Kafka’s “Dearest Father” to tell the story of a complicated father-son relationship.
Reading Vojtěch Mašek’s s diabolical and superb The Sisters Dietl is like consuming a many-layered pastry laced with something hallucinogenic.
The Albert Camus of Travels in the Americas diaries is a passionate, despairing reckoner with the struggles of earthly existence, both personal and societal.
Last and First Men, an astounding and unusual art film, science fiction meditation, and visual symphony, is the first and only film created by the late Icelandic composer Jóhann Jóhannson.