police brutality

The Incendiary Life and Times of James Baldwin

One Can Really Relate to Emma’s ‘The Mental Load’

One Can Really Relate to Emma’s ‘The Mental Load’

French cartoonist Emma raises issues of inequality within French society with humor and humanity, using short statements accompanied by disarmingly charming cartoons that point out the absurdities of some common social conventions and beliefs.

Where Black Girls Are Seen and Heard: ‘The Hate U Give’

Where Black Girls Are Seen and Heard: ‘The Hate U Give’

The Hate U Give director George Tillman Jr. and actors Amandla Stenberg and Russell Hornsby discuss the film's cultural impact with PopMatters.

Don’t Quit Your Day Job, Brother Wayne: MC5 and ‘The Hard Stuff’

Don’t Quit Your Day Job, Brother Wayne: MC5 and ‘The Hard Stuff’

This rock memoir reads like Kramer set up an AA meeting and then didn't want to stand up and give his share.

‘So You Want to Talk About Race’?

‘So You Want to Talk About Race’?

Author and activist Ijeoma Oluo pens a user-friendly yet pointed examination of how to face and start dismantling America’s racist society.

‘The Force’ Explores The Complexities of Law Enforcement Reform

‘The Force’ Explores The Complexities of Law Enforcement Reform

The Force, which details the Oakland Police Department's recent reform efforts, is best viewed as a complementary work to prior Black Lives Matter documentaries, such 2017's Whose Streets? and The Blood Is at the Doorstep.

‘Rebellious Mourning’ Explores Getting Through the Darkness to the Other Side

‘Rebellious Mourning’ Explores Getting Through the Darkness to the Other Side

Those on the journey -- from initial mourning to grieving (finite or long-term) -- must have a guide.

In ‘The Blood is at the Doorstep’, a Family Suffers From an Intransigent Criminal Justice System

In ‘The Blood is at the Doorstep’, a Family Suffers From an Intransigent Criminal Justice System

Erik Ljung's work is an auspicious cinematic debut which reminds that for every criminal justice statistic, there's a stirring story which deserves to be deeply considered.
Sundance 2017: ‘Whose Streets?’ + ‘Dayveon’

Sundance 2017: ‘Whose Streets?’ + ‘Dayveon’

On opening night at the Sundance Film Festival, two films raised questions about how black Americans' experiences can be more effectively shared and understood.