Kamala Harris’ 2020 VP Run Evokes Rod Lurie’s 2000 ‘The Contender’
Like The Contender's Laine Hanson 20 years prior, US Democratic Party Vice-President choice, Kamala Harris, cuts the oxygen feeding the US political climate's raging sexism.
Like The Contender's Laine Hanson 20 years prior, US Democratic Party Vice-President choice, Kamala Harris, cuts the oxygen feeding the US political climate's raging sexism.
Nicholas Buccola's The Fire Is Upon US is, at times, marred by glibness, impatience, and ahistorical tendencies that suggest, to an extent, it is also a reflective of the deteriorating conditions that mark our public discourse in 2020.
Laura Nyro, a witchy, queer, ethnic Russian Jew, died young, but her non-conformist anthem, "Save the Country", carries forth to these troubled times.
Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?
A voyage to the bottom of a T-shirt drawer prompts a look back at a major event in the history of celebrity charity concerts, 2005's Live 8, Philadelphia.
When national leadership isn't addressing a pandemic as it should, Larry Kramer, as playwright and activist, pens the only viable response: "Everyone's entitled to good medical care. If you're not getting it, you've got to fight for it."
Tony Kushner's Angels in America foreshadows our current state of sick politics and bodies and, in particular, the presence of Trump in a time of plague.
"Try this at home": With her latest work, Our Time Is Now, Plotter-in-Chief Stacey Abrams offers a timely playbook for how to ensure free and fair elections in America.
The financial crash of 2008-2010 reemphasized that traumatic economic shifts drive political change, so what might we imagine — or fear — will emerge from the COVID-19 depression?
Eurovision contestants subvert the events' apolitical ethos simply with their identity, which is then subverted by performer and audience subjectivity. So who, ultimately, wins?
Mark Fisher's insights are often obscured in Matt Colquhoun's personal/academic hybrid, Egress, which ranges far and wide over philosophy and pop culture.