Maggie Rogers Turns Inward on ‘Don’t Forget Me’
Maggie Rogers’ latest album, Don’t Forget Me, is a soft and breezy return to the musician we met on her debut studio effort Heard It in a Past Life.
Maggie Rogers’ latest album, Don’t Forget Me, is a soft and breezy return to the musician we met on her debut studio effort Heard It in a Past Life.
Polish duo Coals always looks for something new in music, and Sanatorium is no different. But in the lyrics and emotions, it’s a return to the past.
Older hones in on what makes Lizzy McAlpine a compelling artist: astute observations of being young and in love and still learning what those things mean.
Italian pop singer Annalisa’s E Poi Siamo Finiti nel Vortice is a whirlwind tour of a messy relationship’s tumult. You’ll need to hang on tight for this one.
Throughout Eternal Sunshine, Ariana Grande investigates the concept of ignorant bliss, asking the question, is it better to remain unaware of great pain?
The female musicians interviewed in Katherine Yeske Taylor’s She’s a Badass have persisted against all odds and infused rock with a feminist verve.
Ariana Grande has come into her own by embracing the parts of her creativity that resonate most with her ardent fanbase and being true to herself.
Detroit’s Motown Records will forever be important as a hit factory and an African American-owned label that achieved massive mainstream success and influence.
The Jaynett’s ’60s pop single “Sally Go ‘Round the Roses” is equal parts all surface and inscrutable depth, which is why a range of artists cover it to this day.
In 1989, XTC released Oranges & Lemons, one of their finest. There are nods to trippy 1960s touchstones, but it’s more of a lush, power-pop celebration.
Nellie McKay is appealing but with an edge, offering hooks but also barbs, looking back at the past and ahead of her time. She could be a pop star in 2024.
While the shift from folk to jazz-rock on Joni Mitchell’s Court and Spark may seem like commercial ambition, it was layered and signaled a profound change.