Whatever Happened to That Amazing British Punk Band Buzzcocks?
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
pop punk
Green Day Rock Out for Climate Justice and Human Rights
It’s downright heartwarming to see Green Day back in action, calling out the powers that be in 2024 and urging climate action. Long live rock!
Elvis Costello’s ‘Armed Forces’ Remains a Potent Critique of Power
Forty-five years after Elvis Costello’s Armed Forces first arrived in record stores, its commentary on fascism is extremely relevant to today’s politics.
Mannequin Pussy Assert Their Versatility on ‘I Got Heaven’
Mannequin Pussy continue to explore a spectrum of intensities, pinballing between two extremes and finding the group in their most mature and polished form.
I Get So Mean Around This Scene: Joe Jackson’s ‘Look Sharp!’ at 45
With his 1979 debut album Look Sharp!, Joe Jackson joined the league of UK artists who fused sophisticated pop songwriting with a punk snarl.
Back-to-Basics ‘Saviors’ Is Green Day’s Strongest LP in Years
Saviors is the best Green Day album in at least 15 years. It’s refreshing to hear them on Saviors, where they sound focused and energized again.
Blink-182’s ‘Untitled’ Showed Foresight We Could Only See in Hindsight
It’s easy to see how untitled‘s themes acted as a harbinger of the years to come for Blink-182. There’s longing and yearning; a distance that can’t be crossed.
Tom DeLonge’s ‘Monsters of California’ Is So Blink-182
Tom DeLonge’s sci-fi film Monsters of California is the cinematic manifestation of a Blink-182 song crossed with a paint-by-numbers tour of paranormal activity.
DIY Lifer Jeff Rosenstock Reignites Early 2000’s Pop-Punk
The musical style of Jeff Rosenstock’s HELLMODE takes you back to the carefree days when being politically correct wasn’t the brunt of our anxiety.
Ramones and Devo: Sonic Reduction as Resistance
Ramones’ Ramones uses reduction as a means to end, to bring rock back to its roots, whereas Devo’s Q: Are We Not Men? uses reduction as the end itself to mirror society’s decline.
Model Citizen Take Us Back to the Garage
Alabama’s Model Citizen boast a pair of Drive-By Truckers and punk rock bonafides on the loud and proud new album, Live at Dial Back Sound.
Zolita’s Pop-Punk Confessionals Blaze at Brooklyn Show
Dazzling singer Zolita’s current tour in support of her new EP ‘Falling Out / Falling In’ also benefits the LGBTQ community. Lulu Simon opens the show.