‘Lindsey Buckingham’ Sounds Like Lindsey Buckingham
On his first solo album in a decade, former Fleetwood Mac maestro Lindsey Buckingham reasserts his considerable talents and charms.
On his first solo album in a decade, former Fleetwood Mac maestro Lindsey Buckingham reasserts his considerable talents and charms.
Coldplay’s ninth studio album Music of the Spheres desperately wants to inspire its listeners, but the songwriting and sound fall flat.
Atlanta-based indie rockers Dinner Time embrace a more eclectic sound on their deeply enjoyable sophomore album, Halfway Down.
Elton John revisited his past to record the acclaimed Songs from the West Coast in 2001. The album began a late-career revival that continues to this day.
Fountains of Wayne’s debut LP reasserts how sturdy the formula of a catchy chorus and distorted guitars can be when a group has the songwriting to back it up.
Cold War Kids’ New Age Norms 3 takes some big swings and mostly lands with more of a good thing from an essential act in pop-rock.
U2 burned brightest from 1984’s The Unforgettable Fire to the ZooTv Tour’s end in 1993.
At only 17, Michelle Branch created The Spirit Room, an album that perfectly balances an indie approach with mainstream-friendly songwriting.
On their 17th studio album Detour de Force, Barenaked Ladies semi-successfully walk the line between smart adult contemporary and cringey dad rock.
Ready to release her fifth solo album, New York triple-threat Ellen Foley revisits a career filled with legends of the stage, screen and recording studio, along with “The Thing That Will Never Die”.
“’80s music” is often a short-hand for radio-friendly pop songs that are New Wavey, synthy, maybe a little goofy, a little overproduced, ridiculously catchy.
TXT’s The Chaos Chapter: FREEZE makes bold statements about the Korean band’s expansive music.