U2’s Creative Fire from Inferno to Embers
U2 burned brightest from 1984’s The Unforgettable Fire to the ZooTv Tour’s end in 1993.
U2 burned brightest from 1984’s The Unforgettable Fire to the ZooTv Tour’s end in 1993.
At only 17, Michelle Branch created The Spirit Room, an album that perfectly balances an indie approach with mainstream-friendly songwriting.
On their 17th studio album Detour de Force, Barenaked Ladies semi-successfully walk the line between smart adult contemporary and cringey dad rock.
Ready to release her fifth solo album, New York triple-threat Ellen Foley revisits a career filled with legends of the stage, screen and recording studio, along with “The Thing That Will Never Die”.
“’80s music” is often a short-hand for radio-friendly pop songs that are New Wavey, synthy, maybe a little goofy, a little overproduced, ridiculously catchy.
TXT’s The Chaos Chapter: FREEZE makes bold statements about the Korean band’s expansive music.
Dreamers Are Waiting sees Crowded House relaxing into their new millennium renaissance. Pop music remains safe in their hands.
Fifty years ago, Todd Rundgren’s 1971 LP, Runt. The Ballad of Todd Rundgren took on the growing army of singer-songwriters who clogged the charts and won. Sadly, nobody cared.
Counting Crows celebrate 30 years of music with a four-song suite rich in imagery and emotion. Adam Duritz is a contender for the best songwriter of his generation.
Natalia Lafourcade chats about her latest album, Un Canto por Mexico Vol. 2, which re-imagines the traditional music of Mexico.
On Soberish, Liz Phair pens a collection of tunes that marry her candid musings with polished, accomplished California rock sounds.
Flyte’s This Is Really Going to Hurt begins as gentle indie-pop but swerves hard into ’60s pop pastiche about halfway through.