
Barenaked Ladies Start Strong But Fade Fast on ‘Detour de Force’
On their 17th studio album Detour de Force, Barenaked Ladies semi-successfully walk the line between smart adult contemporary and cringey dad rock.
On their 17th studio album Detour de Force, Barenaked Ladies semi-successfully walk the line between smart adult contemporary and cringey dad rock.
Ready to release her fifth solo album, New York triple-threat Ellen Foley revisits a career filled with legends of the stage, screen and recording studio, along with “The Thing That Will Never Die”.
“’80s music” is often a short-hand for radio-friendly pop songs that are New Wavey, synthy, maybe a little goofy, a little overproduced, ridiculously catchy.
TXT’s The Chaos Chapter: FREEZE makes bold statements about the Korean band’s expansive music.
Dreamers Are Waiting sees Crowded House relaxing into their new millennium renaissance. Pop music remains safe in their hands.
Fifty years ago, Todd Rundgren’s 1971 LP, Runt. The Ballad of Todd Rundgren took on the growing army of singer-songwriters who clogged the charts and won. Sadly, nobody cared.
Counting Crows celebrate 30 years of music with a four-song suite rich in imagery and emotion. Adam Duritz is a contender for the best songwriter of his generation.
Natalia Lafourcade chats about her latest album, Un Canto por Mexico Vol. 2, which re-imagines the traditional music of Mexico.
On Soberish, Liz Phair pens a collection of tunes that marry her candid musings with polished, accomplished California rock sounds.
Flyte’s This Is Really Going to Hurt begins as gentle indie-pop but swerves hard into ’60s pop pastiche about halfway through.
Steff and the Articles’ “Inhibition” navigates infectious alt-pop melodies and warm, jazz-inflected undertones.
While taking more chances with a new album and relishing a career of bright, shining moments, fiery frontwoman Sharleen Spiteri still wonders why her Scottish band named Texas didn’t get more love from America.