Kehlani’s ‘Crash’ Plays to Their Strengths
Crash finds Kehlani playing to their strengths, establishing themselves as the reigning monarch of sultry, seductive, hot R&B.
Crash finds Kehlani playing to their strengths, establishing themselves as the reigning monarch of sultry, seductive, hot R&B.
Stranger Things‘ Maya Hawke admits on Chaos Angel she “was born with my foot in the door” and delivers one of the best LPs in the history of singing Hollywooders.
It’s not literary devices that make something poetry or the analysis we perform, but the emotion it elicits through them, which is why Taylor Swift is a poet.
Brat is next-level Charli XCX, a miracle and an instant classic. It’s the kind of album that makes you feel lucky to be alive at the same time as it.
With her keen feel for tone, phrasings, tension, presence, and lyrics that cut, Margo Guryan is synonymous with the most sophisticated 1960s songcraft.
Alec Benjamin writes anthologies, and his fourth album, 12 Notes, is no different. This style of writing suits Benjamin’s propensity for parables.
CXLOE’s Shiny New Thing is hook-forward pop music, an unrelenting collection of emoto-bangers, and an arch response to a clueless music executive.
On Voulez Vous, ABBA went disco and created a turbo-charged version of their music. The raucous choruses of Voulez Vouz preview a decade of pop.
Shake It Up, Baby! breaks down the Beatles’ concerts, business deals, sleepless nights, and bloody fights month by month during the transitional year of 1963.
With the help of Kevin Parker and Danny L. Harle, Dua Lipa’s new album Radical Optimism sounds like Tame Impala meets PC Music and goes to headline Glastonbury.
Pabllo Vittar’s music echoes cultural movements and carries layers of Brazilian history in a package that requires no explanation to enjoy listening and dancing to.
The Tortured Poets Department‘s songs are calculated, complete, and the most experimental and ambitious of Taylor Swift’s work to date.