Astrophysicist Sara Seager’s Memoir Uses the Dark to Find the Light
Astrophysicist Sara Seager’s memoir illuminates an astute practitioner of metaphor as a form of reasoning, illustration, and artful emotional resonance.
Astrophysicist Sara Seager’s memoir illuminates an astute practitioner of metaphor as a form of reasoning, illustration, and artful emotional resonance.
Majdalani’s Beirut 2020 warns that unwillingness to enforce rules and due process lies at the heart of the problems plaguing both Lebanon and America.
Robert Altman’s Nashville is sour and sympathetic, accurate and exaggerated, messy and beady-eyed, a sprawling canvas reminiscent of Bosch or Breugel.
Iván Monalisa Ojeda conveys complexity with a deft, effective touch in his/her short story collection, ‘Las Biuty Queens’.
In the virulently anti-Communist and homophobic climate of the postwar era many feared any association between the emerging lesbian and gay cause and Communism.
In William Gay’s posthumous ‘Fugitives of the Heart’, we find a dark coming-of-age tale of youthful lust tinged with comic relief.
Lionel Jeffries’ film version of Edith Nesbit’s The Railway Children is rich with a charm rooted in a bedrock of social awareness as hard as Charles Dickens.
Craig Gellispe’s ‘Cruella’ uses jaw-dropping fashion with stunning ingenuity to tell this classic tale of descent into madness.
Meant to divert wartime audiences with sheer escapism, René Clair’s ‘It Happened Tomorrow’ dives into a past where tomorrow looks troublesome.
Eva Baltasar’s Permafrost is an aesthetic novel that underscores the magnificence of a poet successfully translating poetic awareness into prose.
Bustament’s Efraín Ríos Montt-inspired La Llorona reimagines the Latin American folk tale of a woman mourning her children along the banks of the river where they drowned.
Artistic evolution alone cannot explain what is found within Michael DeForge’s Heaven No Hell.