Goth Punks AFI Get Their Flowers in New Biography
AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.
AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.
Hüsker Dü’s New Day Rising provided equal parts muscular intensity and melody as the band laid the groundwork for the future of alternative music.
The Blood Brothers Crimes is a pitch-black satire and critique of its time showing how little has changed. It would be depressing if the music weren’t thrilling.
Jeremy Bolm is an expert at capturing the claustrophobic feeling of anxiety and depression, and Touché Amoré’s new album is another example of his talent.
Drug Church’s PRUDE takes its place alongside Gouge Away’s Deep Sage as a highlight of the year in hardcore that could reach outside the flock.
Rack is another thrilling chapter from the Jesus Lizard, one of the most significant noise bands ever and whom many groups claim as a heavy influence.
Jawbox’s major label debut is their most beloved album, a perfect marriage of songwriting and production that sounds as thrilling today as it did 30 years ago.
In the early 1980s, Hüsker Dü paved the way for alternative rock, adding the power, anger, and pain of hardcore punk to a mix of 1960s and 1970s pop-rock styles.
Shellac’s To All Trains is as compelling as anything they ever produced and a swan song. In Steve Albini’s case, the swan must surely be big, angry, and black.
When Sunny Day Real Estate released Diary 30 years ago, they inadvertently cemented the personalized and sympathetic elements of emo.
Shudder to Think’s Pony Express Record is one of the most enduring releases of the 1990s, evergreen for the very reasons it wasn’t a massive hit upon release.
Imagine a train that seems to be going off the rails yet keeps on track, and you’ll get a sense of what The Messthetics and James Brandon Lewis sounds like.