Yuko Araki’s ‘IV’: Torn Between Voice and Noise
Experimentalist Yuko Araki highlights her vision’s first new element: the human voice, which was either absent or lost beneath the layers of havoc in the past.
Experimentalist Yuko Araki highlights her vision’s first new element: the human voice, which was either absent or lost beneath the layers of havoc in the past.
Homosexuality drove experimental band Coil’s creativity, yet they rejected the demand that they either embrace performative homosexuality or remain discreet and closeted.
Muslimgauze’s first five releases are some of the most interesting, fully-realized artifacts to crawl out of the early 1980s industrial, experimental drainpipe.
Kollaps’ latest single “I Believe in the Closed Fist” is an excruciating automaton, channeling the death, industrial dystopia through a cut-up narrative.
Coil’s undeniable sonic invention can’t quite mask an almost quaint self-seriousness on their 1992 album, Stolen & Contaminated Songs, which was recently re-released.
Psychic TV and Coil were vanguard bands that blended ritual magick and creative method. But even their esoteric beliefs bore scant resemblance. This is a split that runs deep.
As they prepare to hit the road again in their original 1982 lineup, Nitzer Ebb's Douglas McCarthy reflects on the long road that brought the EBM pioneers to where they are today.
Necropolis' themes of timelessness, decay and death paradoxically reveal Sol Invictus' founding member Tony Wakeford at his best.
Impossible Star is the first Meat Beat Manifesto album since 2010, and the good news is, it exists in its own world, which tends to be where Jack Dangers belongs.