Surfer Blood's 2010 debut put them on the map, but their critical sizzle soon faded. After a 2017 comeback of sorts, the group's new record finds them expanding their sonic by revisiting their hometown with a surprising degree of reverence.
The Strokes' The New Abnormal is an unabashedly uninspired promotional item for their upcoming world tour.
British indie pop-rockers, Bombay Bicycle Club chronicle the struggle to maintain hope in dark times on Everything Else Has Gone Wrong, their first album since 2014.
On their first album in seven years, British post-punk quartet the Futureheads are in an energetic, recharged mood with Powers.
Kaiser Chiefs' Duck is full of energy and joy, and returns the band to their more rockish sound.
Editors return to original recordings with Blanck Mass for 2018's Violence and release a special set that improves and expands on the "original version" with more depth, darkness, and exploration.
Liars quickly follow-up 2017's TFCF with TWTWF, a sparse, ambient set of tracks that continues Angus Andrew's experimentation as the sole remaining founding member of the band.
The Kooks' newest release Let's Go Sunshine offers an anthemic take on garage rock.
Even when Interpol tries to change up the formula, they can't help but sound like themselves on Marauder.
The Strokes' guitarist continues his solo career renaissance with an album as focused and sharp as anything he's ever produced.
The Fratellis fifth album is light, fun, and fast, incorporating new styles and musical cues that share revelry and spontaneity regardless of the scenario or feeling.
A Place to Bury Strangers buzzes and growls through "Never Coming Back" with no regard for noise ordinances, and it is, as is so often the case, a love-it-or-hate-it kind of situation.
