‘Going For Broke’: Life on the Edge By Those Who Live It
Going for Broke: Living on the Edge in the World’s Richest Country turns to the real experts on economic hardship in America: those who live it.
Going for Broke: Living on the Edge in the World’s Richest Country turns to the real experts on economic hardship in America: those who live it.
Brazil’s recent presidential inauguration provides the background for excavating Brazilian Cinema’s depictions of poverty in Barren Lives and Central Station.
Some people never grow up but in skateboarding documentary, ‘Minding the Gap’, no one ever stops growing.
For those who proclaim that people are solely responsible for their life's choices, Bing Liu's, Minding the Gap shows what costs come with attempting to break cycles of violence, poverty, and addiction.
Éric Vuillard's engaging The War of the Poor takes a literary approach that is more art than history, but that is a wonderful way to convey important historical events and their long reach into our troubled times.
Hillbilly provides a cogent analysis of the connection between the United States' cultural supremacy over its own Appalachian region, and the nation's resultant economic and political exploitation of it.
Courtney Hunt's Frozen River and ten years later, Debra Granik's Leave No Trace, both seek to provide realistic depictions of poverty. Yet while the former plays like a heavy-handed message movie, the latter offers a master class in restraint.
Is the incandescent and resplendent but bloated Kaala a transnational manifesto resurrecting the Left to rollback rightwing tribalism's global onslaught?
Anthony Bourdain was loved not for his wit or charming temerity, but for confronting us with our own alienation and cultural isolation.
Annie is a servant who delights in telling tales of spooks and spirits, always ending with the refrain "An' the Gobble-uns'll git you ef you Don't Watch Out!"
These women are not simply simulating scenes of poverty for the reader; they experienced it and now they own it as one constant facet of their diverse identities.
Sujatha Gidla's memoir is an example of history as told from down below, by the people who were involved in the labour and caste protests and the women who did the reproductive labour for the revolutionaries.