
Yes’ Close to the Edge Appears in a New Super Deluxe Edition
Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.
Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.
Coheed and Cambria are in a contemplative mood, but that doesn’t stop them from deploying their trademark intricate guitar riffs and catchy choruses.
We catch up with Moe guitarist Chuck Garvey as the Buffalo rockers honor 35 years together with a vibrant new album and a new tour.
Jan Akkerman’s discography is vast and ranges from rock to jazz to classical works, several including solo performances on the guitar forerunner, the lute.
PopMatters hits the road for five shows in six days with psychedelic rock eco-rebels King Gizzard & the Lizard Wizard who have taken the US by storm.
Opeth’s The Last Will and Testament is their most focused, disciplined piece of music to date and their heaviest work in more than 15 years.
David Gilmour visits 1973 early in the set with a crowd-pleasing trio of “Speak to Me”, “Breath (In the Air)”, and “Time” from The Dark Side of the Moon.
BEAT’s tour had the potential to be a revelation, especially to the generations that were too young to catch the King Crimson foursome more than 40 years ago.
On Absolute Elsewhere, Blood Incantation annihilate the death metal rulebook to spread an esoteric message of cosmic proportions.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
In the post-punk era, progressive rock figurehead Robert Fripp and synth pop pioneer Gary Numan would shape the future sound of alternative rock and metal.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.