Dr. Dog Find Their Groove on First Album in Six Years
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
Grateful Dead spinoff Dead & Company’s creative use of Sphere’s visual technology elevates the concert experience to a multidimensional amusement park.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
With Weird Rooms, John Andrew Fredrick and the Black Watch are at the late height of their powers and perhaps the end of their life as a group.
Released this month in a Super Deluxe Edition, Whisky a Go Go 1968 recovers a legendary “lost” performance by Frank Zappa and the Mothers of Invention.
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
A LA SALA delivers on what Khruangbin are known for: chill, mostly easygoing guitar melodies backed by a deep rhythm section groove.
Despite society’s antagonism toward introverts, Tame Impala’s Kevin Parker steadfastly offers himself as a vulnerable, somewhat blushing symbol of the gifted loner.
Azerbaijan’s Rəhman Məmmədli dazzles, deserving of recognition for his imaginative reconfigurations of longstanding forms and palpably impassioned playing.
Jam rock’s Phish at Las Vegas’ Sphere is like a sonic jackpot with all the bells and whistles that just keep paying out. It’s a wormhole to another dimension.
The Church’s “companion piece” to The Hypnogogue is just as good. It didn’t take long for the veteran Aussie psych-rockers to break in their new lineup.
Balthvs’ wide-ranging vibe includes influences from psychedelia, indie rock, dub reggae, surf rock, cumbia, Middle Eastern music, and more.