Wand Find Their New Gravitational Center on ‘Vertigo’
On Vertigo, psychedelic rockers Wand distill hours of material and add ornamentation to tracks that regularly favor mood over moments of grandeur.
On Vertigo, psychedelic rockers Wand distill hours of material and add ornamentation to tracks that regularly favor mood over moments of grandeur.
The beach park provides balmy breezes making the setting feel like a genuine paradise and even more so with Phil Lesh still crushing it like a man half his age.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
Grateful Dead spinoff Dead & Company’s creative use of Sphere’s visual technology elevates the concert experience to a multidimensional amusement park.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
With Weird Rooms, John Andrew Fredrick and the Black Watch are at the late height of their powers and perhaps the end of their life as a group.
Released this month in a Super Deluxe Edition, Whisky a Go Go 1968 recovers a legendary “lost” performance by Frank Zappa and the Mothers of Invention.
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
A LA SALA delivers on what Khruangbin are known for: chill, mostly easygoing guitar melodies backed by a deep rhythm section groove.
Despite society’s antagonism toward introverts, Tame Impala’s Kevin Parker steadfastly offers himself as a vulnerable, somewhat blushing symbol of the gifted loner.
Azerbaijan’s Rəhman Məmmədli dazzles, deserving of recognition for his imaginative reconfigurations of longstanding forms and palpably impassioned playing.
Jam rock’s Phish at Las Vegas’ Sphere is like a sonic jackpot with all the bells and whistles that just keep paying out. It’s a wormhole to another dimension.