Liam Gallagher and John Squire Play the Familiar
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
In 1989, XTC released Oranges & Lemons, one of their finest. There are nods to trippy 1960s touchstones, but it’s more of a lush, power-pop celebration.
MGMT’s Loss of Life culminates with a run of songs about sleep, love, and death so deeply felt that it doesn’t matter if they are still joking on some level.
Fleetwood Mac and Humble Pie were a part of the progressive 1960s ethos that carried successfully into the 1970s and beyond. These 1969 albums tell the story.
From Phil Lesh returning to home base to rising stars like Margo Price, the Fillmore remains the most hallowed hall in American rock ‘n’ roll.
The Gen-X rockers from Buffalo, New York, Moe, transcend recent tribulations with an old-fashioned Saturday night rager at the Fillmore in San Francisco.
Hot Tuna’s Jorma Kaukonen and Jack Casady continue to age like fine spirits with their masterful skills as pioneering rock tone scientists.
The flow of Paul Reed Smith’s LP resembles its namesake felines. The music starts loud, maybe not as noisily as a lion’s roar, but a savage joy is expressed.
Skyway Man’s Flight of the Long Distance Healer settles into a solid retro-pop vibe full of brightness and melody, but some of it disappears into stargazing.
Grails’ new LP is like listening to the soundtrack for an existential cosmic Western, Andrei Tarkovsky taking a stab at some Werner Herzog Mesoamerican mythologizing.
Bob Weir premieres his symphony project that adds orchestral backing to Grateful Dead classics, making this show a special event.
The always reliable Cherry Red Records delivers an unusual psychedelic garage-rock comp that feels made of lesser entries despite the label’s great research.