
Dead Kennedys’ ‘Frankenchrist’ Is Sadly Relevant at 40
Dead Kennedys’ Frankenchrist is a full-scale assault on Reagan’s America–the hypocrisy, seedy undercurrent beneath the slogans, and institutional racism.

Dead Kennedys’ Frankenchrist is a full-scale assault on Reagan’s America–the hypocrisy, seedy undercurrent beneath the slogans, and institutional racism.

The best punk ranges from pop-leaning emo to potent noise, shoegaze, and hardcore to Revolution Summer-inspired politically minded blasts of righteous anger.

If you loved Militarie Gun’s previous work, you will be singing along after a few listens this time, too. It’s an excellent, aggressive indie record with genuine heart.

On Worldwide, Nashville egg-punks Snooper hatch from chaotic oddity into a fully realized band, channeling frenzy into sharp, urgent songs.

Deaf Club’s Justin Pearson, legendary frontperson of hardcore’s the Locust, reflects on the state of the world and permanently courting controversy.

Street Eaters strive to create a compelling throwback. Themes like alienation, frustration, youthful abandon, and lust are merged with newer, more adult content.

The Dropkick Murphys’ Ken Casey speaks about his trip to Ukraine, Trump, and the band’s decades-spanning career.

Punk’s rooted, regional, and defiantly local identities made scenes like Louisville punk essential and life-affirming during the violently conformist Reagan years.

MGK’s genre-agnostic Lost Americana continues a pop-punk exploration while letting down his personal defenses.

Detroit punk veterans Big Life channel the righteous fury of classic Washington DC and SST hardcore on their latest. It’s one of the best punk records this year.

Power pop acolyte Ryan Allen’s latest record showcases his mastery of the genre. He discusses how his solo releases differ significantly from his band work.

SoCal punk music history book Tearing Down the Orange Curtain has gobs of literary equivalents to falling off the stage.