
Radiohead’s Ed O’Brien Embraces Poetry and Prog Rock
An artist’s work is their own to paint. Blue Morpho sounds like the beginning of an impressive solo journey for Radiohead’s Ed O’Brien.

An artist’s work is their own to paint. Blue Morpho sounds like the beginning of an impressive solo journey for Radiohead’s Ed O’Brien.

Radiohead operate in an entirely different dimension than anybody else in music. They don’t bother with arbitrary boundaries or definitions about what rock should be.

Thirty years ago, Britpop celebrated England’s past, while Radiohead’s The Bends pointed to guitar rock’s future with a unique vision.

Radiohead’s first musically important album, The Bends is 30. It’s where the group’s experimental inclinations initially took flight.
Philip Selway makes up for what he lacks in melodic strengths with little hooks, and he’s the Radiohead member to sound the least like them when solo.

The Bends hinted at Radiohead’s potential, but OK Computer allowed Radiohead the freedom to experiment and started their progression to forward-looking music.

The Smile aren’t a full-on syncretism of Radiohead and Sons of Kemet, but A Light for Attracting Attention proves that it needn’t be.
These London jazz musicians are all relatively young and just as anxious to embrace all subgenres of jazz, soul, and funk as they are resistant to the rules of the old guard.
The year gave us spectacular album re-issues spanning rock legends, foundational R&B/soul artists, classic pop, post-punk, alternative rock and so much more.
Deerhoof’s Greg Saunier, the hyper-expressive drummer, reflects on the band’s longevity, new LP, and the possibility of making a better world.
Twenty years ago, Radiohead stepped back on Amnesiac, deconstructing their trajectory and tinkering around the edges of their sonic universe.
Nostalgia Alert! Jump back a decade and enjoy the best songs of 2011. They are headlined by a synthpop classic, a massive hit from a hot diva, pristine harmonies of a young band headed for greatness.