You’ve Gotta Get Satire to Get Dion DiMucci
Dion: The Rock ‘N’ Roll Philosopher is a tongue-in-cheek title that only Dion DiMucci can pull off with street panache—braggin’ is a blues tradition, after all.
Dion: The Rock ‘N’ Roll Philosopher is a tongue-in-cheek title that only Dion DiMucci can pull off with street panache—braggin’ is a blues tradition, after all.
Jazz singer Michael Mayo is young but has a stunning voice and unique approach that blends tradition and his own material into one hypnotic sound.
Through a dystopian plot, Childish Gambino’s final record attempts to narrate his insecurity, as opposed to its raw, uncomplicated exploration in Atavista.
Michael Kiwanuka’s most striking quality remains his voice, which has the power to evoke deep feelings, as his idols did for another generation.
Lou Reed and John Cale met while touring a novelty act trying to make a hit on a discount record label. A new compilation highlights Reed’s wild pre-fame journey.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Fifteen years before a 20-something Bruce Springsteen sweated out his original sin in clubs along the Jersey Shore, there was the rock ‘n’ roller Dion DiMucci.
Manfred Mann doesn’t think he’s the best synthesiser player in the world, but he brings a distinctive voice to the old technology. Just keep AI out of music, dammit.
Soul singer Minnie Riperton made full use of her multi-octave voice and songwriting talent on 1974’s Perfect Angel, with her still-beloved hit, “Lovin’ You”.