Chat Pile’s Bleak View Goes Global with ‘Cool World’
Chat Pile’s new album does not offer catharsis; it is just an unflinching account of the violence we inflict on each other on an individual and global scale.
Chat Pile’s new album does not offer catharsis; it is just an unflinching account of the violence we inflict on each other on an individual and global scale.
The contradictions in Bruce Springsteen’s “Born in the U.S.A.” makes it ripe for co-opting for Republican political campaigns from Ronald Reagan to Donald Trump.
When Paul McCartney lost Linda McCartney in 1998, he described his grief as all-consuming, grief that haunts her sole solo studio album, ‘Wide Prairie’.
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
Incubus ride high on tour supporting Morning View XXIII released in the spring, a re-recorded version of their 2001 classic that propelled them to stardom.
Skank’s Calango mixes Jamaican reggae, Latin percussion, keyboards, and guitars into a blend that sounds very much from Brazil and yet completely alien.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
The 20th edition of France’s famed Rock en Seine sees ever-growing crowds, impressive performances, and an atmosphere to rival the highest of highs.
Enumclaw’s sophomore LP, Home in Another Life, again delivers 1990s alternative sounds but is confessional in nature and speaks to what ails us.
The Beach Boys documentary appeals to Gen Z and Gen Alpha via Disney Plus with a breezy, linear, appreciation of the band’s sunny legacy.
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.