Phish Sacrifice Ambience For Clarity on Live ‘Spectrum’ Box Set
With its antiseptic sound, The Spectrum ’97 box set can’t adequately substitute for what it was like to be there at a 1990s Phish show.
With its antiseptic sound, The Spectrum ’97 box set can’t adequately substitute for what it was like to be there at a 1990s Phish show.
Guy Garvey and company return with renewed energy, a punchier attack and infectious grooves on Elbow’s tenth studio album, Audio Vertigo.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.
Oasis kept putting out singles all throughout their career, spawning some pretty memorable B-side tracks. Here are ten of their best.
The female musicians interviewed in Katherine Yeske Taylor’s She’s a Badass have persisted against all odds and infused rock with a feminist verve.
Steely Dan’s 50-year-old third album, Pretzel Logic, conceals its dark satirical vision of modern society beneath immaculate studio production.
Steve Hackett proves he’s still a force to be reckoned with in progressive rock. He delivers an album worthy of his legacy while pointing to the future.
The Black Crowes’ Happiness Bastards gives us ten good reasons to believe that rock and roll is still a long way from the graveyard.
At the inaugural Extra Innings Festival, spring swung into gear with baseball bats and an eclectic lineup of musicians. These players led our hit parade.
Rock guitar virtuoso Mary Timony’s Untame the Tiger is a clear–eyed, unsentimental, top-shelf record that emerged during hard times.
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
As these 1964 albums from the Animals and the Hollies show, the music of the beat boom was characterized by excitement, reverence, and sound.