rockism

Aretha Franklin: Context, Intersectionality, and the Rock Canon

Aretha Franklin: Context, Intersectionality, and the Rock Canon

Viewing Aretha Franklin's work through a focus on race, gender, and other categories of analysis can challenge us to do the same with all music, acknowledging how multiple points of oppression and privilege impact the production, consumption, and reception of a wide range of music.

Reactionary Rockism: The Dangerous Obsession with “Authenticity” in Indie Rock

Reactionary Rockism: The Dangerous Obsession with “Authenticity” in Indie Rock

We should take seriously indie rock trends driven by nostalgia— the revival of white rock forms, the whitewashing of disco and yacht rock, and the rise of normcore—as what they are: conservative gestures flying under the radar in a climate of poptimist reappraisal.

No Apologies: A Critique of the Rockist v. Poptimist Paradigm

No Apologies: A Critique of the Rockist v. Poptimist Paradigm

Both rockists and poptimists treat music as not much more than a social commodity, a consumerized product within the spectacle of American capitalism.
Pronounced Dead: The Art of Cultural Assassination

Pronounced Dead: The Art of Cultural Assassination

Two critical catfights are claiming to have buried art-forms which have shaped our civilisation for decades and centuries apiece. Are they entitled to do that?