satire

Bo Burnham’s ‘Inside’ Mixes Comedy with Anxiety and Sets It to Music

Bo Burnham’s ‘Inside’ Mixes Comedy with Anxiety and Sets It to Music

Bo Burnham creates a warm and inviting mood and ironic comfort when he sings “That Funny Feeling” in his comedy special, ‘Inside’.

Sarah Gailey’s ‘Eat the Rich’ Cuts to the Horror at the Heart of Capitalism

Sarah Gailey’s ‘Eat the Rich’ Cuts to the Horror at the Heart of Capitalism

Marx’s death pact is made literal in Sarah Gailey’s Eat the Rich, a remarkably fun comics series given its subject is the horror of capitalism.

SXSW 2022: On Trauma and Masculinity in Comedy/Drama ‘Emergency’

SXSW 2022: On Trauma and Masculinity in Comedy/Drama ‘Emergency’

Director Carey Williams and writer Kristen Dávila talk about channeling their racial experiences and observations into comedic social commentary, Emergency.

SUNDANCE 2022: ‘Emergency’ Is a Frenetic Satire About Deadly Consequences

SUNDANCE 2022: ‘Emergency’ Is a Frenetic Satire About Deadly Consequences

Emergency is an unconventional love story about two friends with divergent views on what it means to be a young Black man in America.

Sundance 2022: Sci-fi ‘Dual’ Is Uncompromising Black Satire

Sundance 2022: Sci-fi ‘Dual’ Is Uncompromising Black Satire

Riley Stearns’ ‘Dual’ is an uncomfortable black comedy that asks the painful question: Are being loved and being true to yourself mutually exclusive?

Ousmane Sembène’s Vibrant Political Satire ‘Mandabi’ Pokes at Imperial Conquest

Ousmane Sembène’s Vibrant Political Satire ‘Mandabi’ Pokes at Imperial Conquest

Ousmane Sembène’s Mandabi (1968) unravels Senegal’s post-colonial entanglements and centers African people, places, and experiences at every frustrating step.

The Return of George A. Romero’s ‘The Amusement Park’ Provokes Sympathy for the Nearly Dead

The Return of George A. Romero’s ‘The Amusement Park’ Provokes Sympathy for the Nearly Dead

George A. Romero’s The Amusement Park (1973), showing at Salem Horror Fest, terrifies with what the future brings to all who dare to live.

What’s So Funny About Tragic Things?

What’s So Funny About Tragic Things?

Scepanski’s Tragedy Plus Time takes a serious look at how comedy and satire in American media make light of dark matters.

The Guilty Pleasure of Chelsea Summers’ Monstrous ‘A Certain Hunger’

The Guilty Pleasure of Chelsea Summers’ Monstrous ‘A Certain Hunger’

Easy to summarize but difficult to, um, flesh out, Chelsea G. Summers’ A Certain Hunger is, without a doubt, the Great American Female Serial Killer Novel.

Silent Classic ‘The City Without Jews’ Wavers Between Satire and Grim Prophecy

Silent Classic ‘The City Without Jews’ Wavers Between Satire and Grim Prophecy

It's the privilege of satire to apply one's opponents' "logic" towards a reductio ad absurdum, as we see in The City without Jews.

Randy Newman’s ‘Born Again’ Is His Best Critique of Toxic Masculinity

Randy Newman’s ‘Born Again’ Is His Best Critique of Toxic Masculinity

Randy Newman's satirical narrators lack self-reflection. This makes Newman the ideal songwriter to dismantle what would come to be called toxic masculinity.

Sikoryak’s ‘Constitution Illustrated’ Pays Homage to Comics and the Constitution