sci-fi

Margaret Atwood’s ‘Old Babes in the Wood’ Fears Nothing

Margaret Atwood’s ‘Old Babes in the Wood’ Fears Nothing

Margaret Atwood’s Old Babes in the Wood brims with biting humor, precise detail, and incisive observations about life and aging.

The Punk Rock Sci-Fi of Izumi Suzuki’s ‘Hit Parade of Tears’

The Punk Rock Sci-Fi of Izumi Suzuki’s ‘Hit Parade of Tears’

Though her fiction retains elements of future conjecture and civilizational prognosis, like punk rock itself, Izumi Suzuki is more committed to the sci-fi genre as an edgy social and emotional analysis tool.

It’s Too Hot to Hate in Climate Change Series ‘Extrapolations’

It’s Too Hot to Hate in Climate Change Series ‘Extrapolations’

Scott Z. Burns’ audacious if dramatically uneven climate-change Apple TV+ series shows that while the Earth will change radically, people will not.

‘Silo’ Is the Smart Sci-fi Show We’ve Been Waiting For

‘Silo’ Is the Smart Sci-fi Show We’ve Been Waiting For

Combining conspiracy thriller, dystopian nightmare, and science fiction, Silo succeeds in predicting a grim future for humans but good outlooks for Apple TV+.

Pierre Földes on Murakami Adaptation ‘Blind Willow, Sleeping Woman’

Pierre Földes on Murakami Adaptation ‘Blind Willow, Sleeping Woman’

French-American composer, painter, and film director Pierre Földes talks about his unbridled animated adaptation of Haruki Murakami’s stories, Blind Willow, Sleeping Woman.

The Ever-Present Future of Women in Sophie Barthes’ Sci-Fi Comedy ‘The POD Generation’

The Ever-Present Future of Women in Sophie Barthes’ Sci-Fi Comedy ‘The POD Generation’

While societies are technologically advancing, Sophie Barthes’ sci-fi comedy The POD Generation offers a cautionary tale about how, spiritually, culturally, and economically we’re “standing still – or moving backwards.”

Suicide’s Music in Film: An Interview with Martin Rev

Suicide’s Music in Film: An Interview with Martin Rev

Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.

Jonathan Carroll’s Multiverse in ‘Mr. Breakfast’ Leaves Readers Hungry and Grumpy

Jonathan Carroll’s Multiverse in ‘Mr. Breakfast’ Leaves Readers Hungry and Grumpy

There are seemingly infinite possibilities for how the ability to see into multiple lives might change a person; in Mr. Breakfast, Jonathan Carroll manages to avoid them all.

‘M3GAN’ Conjures the Horror of Anti-Materialism

‘M3GAN’ Conjures the Horror of Anti-Materialism

At the dark heart of M3GAN is the loneliness we fill with things because we don’t know what else to do. It conjures the horror of anti-materialism.

‘Everything Everywhere All at Once’ and the Politics of Genre

‘Everything Everywhere All at Once’ and the Politics of Genre

In genre-busting sci-fi Everything Everywhere All At Once, the multiverse is not a genre but a metaphor that invites audiences to think about the complexities and politics of genres.

The Uncomfortable Reflection in Sci-Fi ‘Landscape with Invisible Hands’

The Uncomfortable Reflection in Sci-Fi ‘Landscape with Invisible Hands’

Premiering at Sundance 2023, Cory Finley’s Landscape with Invisible Hand effectively uses sci-fi to gaze into the future and look back on humankind’s dark heritage.

‘Bliss Montage Is a Surrealistic Meditation on the Human Condition

‘Bliss Montage Is a Surrealistic Meditation on the Human Condition

Ling Ma’s short story collection, Bliss Montage, brilliantly explores the absurdity and alienation of living under late-stage capitalism.