Like The Contender's Laine Hanson 20 years prior, US Democratic Party Vice-President choice, Kamala Harris, cuts the oxygen feeding the US political climate's raging sexism.
Auður Ava Ólafsdóttir's Miss Iceland Is at once a poetic, light-hearted narrative and a sharply edged social critique that is caustic and righteous in its portrayal of the enduring nature of sexism, misogyny and homophobia.
Natalia Leite's 2015 film Bare picks up where Barbara Loden's 1970 film Wanda left off, each acting, indirectly, as the proto- and fourth wave- feminist renderings of the other.
Horizontal Collaboration, the superb French comic by Navie and Carole Maurel, reassesses the sexist biases of history.
Filmmaking was only one element of a much wider feminist movement that was manifesting itself in various forms, from the flapper to the suffragette to the birth control advocate to the bohemian female writer and political activist.
As far as The Handmaid's Tale and Philosophy is concerned, Trump et al are the exact bastards you're not supposed to let grind you down.
A contemporary viewing of Alfred Hitchcock's 1964 film, Marnie, makes it clear: we must understand the inner workings of the male gaze and subsequently annihilate it.
Donna Zuckerberg's Not All Dead White Men is a powerful study of the ways the alt-right distorts the understanding of ancient Greek and Roman literature to serve hateful interests today.