‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking
These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.
These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.
In Scorsese's hands, the voice-over is less a substitute for what we are not shown but instead becomes a vital thread woven into the fabric of the film's meaning.
While all films project a world that might be, certain films and certain filmmakers, like Karel Zeman, come closer than others in bringing to the surface the underlying phantasmagoric essence of cinema.
Facet's Disruptive Film: Everyday Resistance to Power, Volume Two documents the multiple approaches a variety of filmmakers take in wielding video and celluloid for social change.
After the nymphs wave their diaphanous rags at the camera, the boys parody their terpsichorean poses with a magically appearing ball. These and other delights in Flicker Alley's 3-D Rarities II.
Anxiety about institutions' ability to provide security is at the root of a strong crop of nonfiction short subjects, which range from South Korea to Sweden, the suburbs of California to the city of St. Louis, in The 2020 Oscar-Nominated Short Films: Documentary.