Warhaus Is the Music of Maarten Devoldere’s Subconscious
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
Alex Izenberg & the Exiles sees the artist take another step in his evolution as a songwriter, and his supporting cast helps him reach that next crest.
From working with Frank Zappa and T. Rex to singing the soundtrack to kiddie series like Strawberry Shortcake, Mark Volman’s memoir Happy Forever is a joyful read.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
L.A. Times finds Travis inspired but in need of direction on what could be a transitional album in their career. They do take more risks than in over a decade.
Olivia Newton-John’s chart-topping 1974 album remains a touchstone for 1970s culture, bringing the best of country music into mainstream pop.
During their heyday, Supertramp created a run of progressive-pop albums so intricate and irresistibly catchy, as to redefine what AOR radio could sound like.
Joni Mitchell’s Archives Vol. 3: The Asylum Years (1972-1975) is a towering achievement and the live concert performances are a special treat.
Steely Dan’s Countdown to Ecstasy reveals a progression toward ever more sheen and polish on a smooth shell, the source of the “yacht rock” label that defined them.
The idea of Stevie Nicks as Fleetwood Mac’s “white witch” is particularly poignant as the second wave of feminism rolled into the ’70s.
The last album by the rock/jazz phenoms Steely Dan was released 20 years ago. This is a look back at why their last two records deserve reconsideration.