Writer/Comedian Amy Silverberg Wants Freedom on the Stage and the Page
Amy Silverberg’s comedy is at once wry, playful, and at times beautifully filthy, like the trash-riddled Santa Monica Pier during a pink-tangerine sunset.
Amy Silverberg’s comedy is at once wry, playful, and at times beautifully filthy, like the trash-riddled Santa Monica Pier during a pink-tangerine sunset.
That delicious pompousness, often reserved for men in stand-up comedy, has been sharpened over the course of Ali Wong’s career.
David Cross, the alum of comedy classics like Arrested Development and Mr. Show, talks Trump, time travel, and his penchant for coming up with terrible names for his standup specials.
Hannah Gadsby’s Nanette is a cultural milestone not only because it demands a better future, but also teaches the present moment and where we might go next.
Played with a provocative mix of caginess, fierce intelligence, anger and unpredictable vulnerability, Mary Elizabeth Winstead's interpretation of standup comedian Nina embodies much of #MeToo's desire to present female artists as wholly realized human beings.
In light of movements like Black Lives Matter and Me Too, Dave Chappelle’s Killin’ Them Softly may be even more relevant today. But how’s his humor holding up?
RIP Sean Lock. Learn more about the British comedian from this 2012 essay on his work.