
Capitalism’s Moral Rot in Three New York-Centered Films
Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

These 12 psyche-burrowing, Halloween-perfect horror movies indulge our damned desire to explore the dark inner recesses of our selves and society.

The Shining endures because it conveys all horror, real and imagined: Stephen King’s horror of the collapse of Man, and Stanley Kubrick’s collapse of History.

Each aesthetic leap along Stanley Kubrick’s way leads to one inevitable conclusion; as an oeuvre, few are more impressive. As a craftsman, none can match him.
Kubrick: An Odyssey by scholars Robert P. Kolker and Nathan Abrams is an ambitious, thorough, and important new take on Stanley Kubrick’s life and work.
Director Gregory Monro talks to PopMatters in an exclusive interview from Tribeca about the revealing words of Stanley Kubrick.

David Mikics casts Stanley Kubrick as a kind of modernist tragedian, showing how meticulous planning often gives way to vanity, error, or random chaos.


The very best films warrant repeated viewings so that fresh nuances emerge, allowing a deeper understanding and appreciation to accrue.