‘Slow Horses: Season Four’ Subverts the Spy Genre
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
Slow Horses is acutely aware that it’s entertainment. Many scenes play like spoofs of the straight-faced crummy thrillers that pose as prestige cinema.
Lessons in Chemistry shows that our complicated, muddled lives are burdensome, and we must endure and subvert if we are to evolve and find our foothold.
Entertaining and informative, High on the Hog disrupts the Eurocentrism entrenched in the culinary world that tends to devalue so-called ethnic foods.
Nida Manzoor’s punk rock comedy We Are Lady Parts beautifully captures that the performance and expression of Muslim identity are complex and multifaceted.
As viewers have come to expect from co-creator Michael Schur, Rutherford Falls uses sly humor and flawed, lovable characters to tackle serious issues.
Can food alone undo centuries of anti-immigrant policies that are ingrained in the fabric of the American nation? Padma Lakshmi's Taste the Nation certainly tries.
Society is reckoning with Clinton-era "tough-on-crime" policies, law enforcement is no longer seen as the unambiguous good guys, yet true crime television thrives in Netflix's Unsolved Mysteries.
The story of how structural inequalities have shaped Los Angeles can be found in Penny Dreadful: City of Angels but it needs to be in the forefront of season two.
The first season of Freeform's Everything's Gonna Be Okay is a funny, big-hearted love letter to family.
What is it about Penn Badgley's toxic and creepy Joe Goldberg in You that keeps viewers coming back?
Amazon's eight-episode animation, Undone is a poignant reflection on grief, loss, mental illness, and heritage.