The Cult In Culture

Why Is Opera So Derided in America?

Why Is Opera So Derided in America?

Prokofiev's The Fiery Angel offers everything movie goers seek: debauchery, religious obsession, exorcisms, devilish abuses, graphic sexual assault, and a variety of horrific effects both musical and visual.
Let’s Play at Kentucky Fried Chicken, America

Let’s Play at Kentucky Fried Chicken, America

In this game we consumers are reduced to plastic playthings, happy to be fingered. This and other thoughts on American culture.
Celestial Sound: Thoughts on Mahler’s Third Symphony

Celestial Sound: Thoughts on Mahler’s Third Symphony

To listen to Mahler is to claim your soul hasn’t been splintered by postmodernity -- even if you hate Mahler and disbelieve in the soul.
Cacophonies and Heavenly Choruses: A Cure for the Classical Blues

Cacophonies and Heavenly Choruses: A Cure for the Classical Blues

Is there any term in any field that is more slippery or meaningless or that carries such impossible, historically artificial burdens of meaning as "Classical Music"?
Searching for Value in All the Wrong Places, Or How to Put Away Childish Things

Searching for Value in All the Wrong Places, Or How to Put Away Childish Things

More than fetishizing his prizes, the collector fetishizes his own obsessiveness and glorious blindness to the machinations of what non-collectors call “real life”.
Werner Herzog’s Films Ask, What More Is Mankind Than Nature’s Parasite?

Werner Herzog’s Films Ask, What More Is Mankind Than Nature’s Parasite?

For Werner Herzog, mankind’s tug-of-war with nature is not a present imbalance but a lost cause, the barbarous beauty of nature made mere barbarism by humankind.

The Gunman on the Unemployment Line: Masculinity, Professionalism, and Ethical Bankruptcy

The Gunman on the Unemployment Line: Masculinity, Professionalism, and Ethical Bankruptcy

Surely even Dirty Harry needs a break from cinematic violence, some time off at Walden Pond. Though I doubt its tranquility would deter him from picking off the sparrows.
The Virtues of Faithlessness: Dario Argento’s Dracula 3-D and the Crutch of Tradition

The Virtues of Faithlessness: Dario Argento’s Dracula 3-D and the Crutch of Tradition

What can it mean for Dario Argento, auteur extraordinaire, to forsake his unique melding of fearless style and fearless silliness and instead submit to Bram Stoker?

Against Cult Cinema: Documentarian Didacticism and ‘The Animals Film’

Between the Omnivore and the Hermit: Reducing Religion to a Cult of One