Martin Scorsese’s ‘The Irishman’ and the Gangster’s Reimagined Soul
Scorsese's The Irishman is not a masculine power fantasy, nor could its heavy underlying sadness ever be mistaken for delight in violence or criminality.
Scorsese's The Irishman is not a masculine power fantasy, nor could its heavy underlying sadness ever be mistaken for delight in violence or criminality.
With its big performances and stellar script, The Irishman is the glorious culmination of Scorsese's lifelong fascination with mobsters and their built-in self-destruction.