Featured: Top of Home Page/Games/Moving Pixels “Footsteps in Movies” and Other Strange Notions about the Authenticity of Media By G. Christopher Williams / 23 June 2015 Footsteps in movies never sound real. They shouldn't. after all, they're footsteps in movies.
Featured: Top of Home Page/Film/PopMatters Picks/Reviews Should ‘Thief’s Protagonist Be Punished or Praised? By Jon Lisi / 17 March 2014 Thief, like the best crime films, forces the viewer to rethink traditional conceptions of criminality.
Featured: Top of Home Page/Games/Moving Pixels Garret from ‘Thief’ is Either an Asshole or an Addict By Nick Dinicola / 7 March 2014 At first, I thought Garret was just an asshole, but now I think he's just an addict. I’d like to help him, but all I can do is enable him.
Featured: Top of Home Page/Film/Reviews A Little Ominous Noir Music Makes Jules Dassin’s ‘Rifif’ Nearly Perfect By Brendan Boyle / 24 February 2014 This benchmark of the heist genre shows that for the criminal, elegance and brutality go hand-in-hand, never more vividly depicted than in this tightly structured ode to Paris.
Featured: Top of Home Page/Games/Moving Pixels Existing Above the Law in Video Games By Mark Filipowich / 4 September 2012
Featured: Top of Home Page/PopMatters Picks/Reviews/Television Thief By Cynthia Fuchs / 28 March 2006
Featured: Top of Home Page/Games/PopMatters Picks/Reviews Thief: Deadly Shadows By PopMatters Staff / 26 August 2004