John Moreland Goes It Alone As a ‘Visitor’
John Moreland’s gift to listeners is rooted in his alienation, as on his latest album, Visitor. We visit his world as a way to find ourselves.
John Moreland’s gift to listeners is rooted in his alienation, as on his latest album, Visitor. We visit his world as a way to find ourselves.
The Vaccines’ new LP is a proverbial back-to-basics affair that’s all the better for it. Packed with ten punchy hook-laden songs, it’s a great-sounding record.
Southern Star succeeds because country’s Brent Cobb is more interested in telling a story and having a good time than pontificating.
As the title All My Love For You suggests, this is a love album. Blues artist Bobby Rush solicitously offers his feelings and suggests the best is yet to come.
Phoebe Hunt’s Nothing Else Matters celebrates sparseness. This is the sound of being alone. There’s nothing else but an empty room when she plays and sings.
Lukas Nelson’s Sticks and Stones is designed to help you reach your happiness goals. Party on! Others may call you a sinner. But simple words can’t hurt you.
Like Neil Young, Kurt Cobain, Buddy Holly, and others before her, Lucinda Williams proclaims allegiance to ROCK on Stories From a Rock n Roll Heart.
Tommy Prine’s This Far South shines with intelligent songwriting, and successfully incorporates a wide range of Americana-type styles rooted in folk to punk.
The prevailing mood of Josh Ritter’s latest album could be accurately described as haunting. There’s something mysterious going on between the Spectral Lines.
The Liar suggests Americana’s John Fullbright understands the transcendent reality provided through music. The line between reality and lies is murky.
Texas’ Sunny Sweeney moves to Nashville and goes into mainstream country, as Married Alone reveals her proud independence and the price she pays for it.
John Moreland employs sampling, sequencing, and mellotron to turn his seemingly traditional story songs into something more avant-garde and original on Birds in the Ceiling.