
Peals Create Soundscapes Both Ambient and Edgy on ‘Honey’
Peals' Honey, originally released in 2016, has found a new home on a different label, and an opportunity for reexamination.
Peals' Honey, originally released in 2016, has found a new home on a different label, and an opportunity for reexamination.
With Thread, Sally Anne Morgan shows that traditional folk music is not to be smothered in revivalist praise. It's simply there as a seed with which to plant new gardens.
The Sea and Cake frontman Sam Prekop discusses process on his latest solo record, Comma, noting that its creation "has definitely changed my focus for the better and created new and interesting challenges -- and not have it feel like dopey electronic music".
Comma is Sam Prekop's fullest realization of his Brian Eno-like effort to toe the line between rock narratives and the avant-garde.
Drew Daniel: "Trump has weaponized a kind of insincere, smarmy trolling manner. I didn't want music that similarly relied upon that stance. I wanted something that was, in a way, the opposite. Something that felt affirmative and warm."
Matmos' Drew Daniels rebrands his solo work to meet the trying times, offering up an ambient techno classic for the ages under his Soft Pink Truth moniker.
Avant-garde drummer Jim White and folk guitarist Marisa Anderson get together without rehearsing to see what happens on The Quickening.
Chicago-based cellist, Alison Chesley (a.k.a. Helen Money) creates an utterly riveting listen from beginning to end on Atomic.
Revered experimental Japanese noise/punk/jazz band, OOIOO are back with a typically intense and brilliant new album, nijimusi.
Atlanta's Sequoyah Murray has delivered one of the best albums of 2019 with his extraordinary debut Before You Begin.