Trumpism and Contemporary Christian Music’s Civil War
With the invasion of TWP, or Trump Worship Music, Trumpism is generating a civil war amongst Contemporary Christian Music fans and artists.
With the invasion of TWP, or Trump Worship Music, Trumpism is generating a civil war amongst Contemporary Christian Music fans and artists.
Paola Ramos has more than one “massive blind spot”, which makes the ambitious Defectors not scholarly enough and too good to be true.
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
Are we meant to admire those who, like the Black Knight in Monty Python and the Holy Grail, just won't concede defeat?
The Trump-bolstered radical right are akin to fourth-century Christian fanatics who -- in the space of a single generation -- transformed the Roman empire from a state of broadly tolerant religious plurality to one of violence and societal destruction.
Just hours before tweeting that he was COVID positive, Trump recorded a speech wherein he opined that "The end of the pandemic is in sight."
World War 3 Illustrated #51 displays an eclectic range of artists united in their call to save democracy from rising fascism.
Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.
Mike Davis' COVID-era update about emerging flu pandemics, The Monster Enters, is concise, disturbing, and valuable.
Tiger King -- released during and dominating the streaming-in-lockdown era -- exemplifies in real-time the feedback loop between entertainment and ideology.
When national leadership isn't addressing a pandemic as it should, Larry Kramer, as playwright and activist, pens the only viable response: "Everyone's entitled to good medical care. If you're not getting it, you've got to fight for it."
Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?