What Will Come? COVID-19 and the Politics of Economic Depression
The financial crash of 2008-2010 reemphasized that traumatic economic shifts drive political change, so what might we imagine — or fear — will emerge from the COVID-19 depression?
The financial crash of 2008-2010 reemphasized that traumatic economic shifts drive political change, so what might we imagine — or fear — will emerge from the COVID-19 depression?
Dave Eggers and Colin Meloy take on the antagonistic and nativist rhetoric in American politics and culture with children's books intent on generating empathy.
With his latest, The Cockroach, the otherwise masterful British novelist Ian McEwan proves that too much cleverness can kill satire.
Legislation, the vehicle of idealists, is bereft of ideas in the times of Trumpism. We are left to fend for ourselves.
Designated Survivor Season Three effectively criticizes the Trump administration and poses complex questions in our time of the rise of the extreme right.
When order ruptures it leads to a state of crisis manifest in many ways, as we see emerging throughout the world. What can we do?
Actor Amber Tamblyn is aspiring to something deeper than just the chronicle of herself as a young ingénue who came of age as a TV star in her memoir, Era of Ignition. In our politically tumultuous times, does she succeed?
Alexandria Ocasio-Cortez comic New Party, Who Dis? - with its ninjas, spaceships, dancing, explosions, FDR, wrestling, and orange hair - names and satirizes the oppressive dog whistles that undermine marginalized peoples in America and in American politics.
As far as The Handmaid's Tale and Philosophy is concerned, Trump et al are the exact bastards you're not supposed to let grind you down.
George Orwell's essays -- so urgently relevant in these times -- convey the political and social views he would later express in his fiction.
In the prescient The American President, the president and his love interest push the liberal agenda while simultaneously living in the lap of luxury. Talk about having your cake and eating it, too.
Breaking away from Election 2016 diatribes, Director Frederick Wiseman visually acknowledges Monrovia, Indiana as a tranquil working-class Eden, while still rendering a subtly powerful critique of small town America.